there's more attitude and sonic attack on this album than most bands half their age could muster.
Medway garage legends take a trawl through their own back pages on new album.
Don't look back. So have said such wise luminaries as John Lee Hooker, Bob Dylan and Oasis through rock's history. Admirable sentiments, but in their defence they probably weren't familiar with the recorded output one Mr. Graham Day. As a member of The Prisoners, The Prime Movers and The Solarflares, as well as more recently in The Buff Medways and Graham Day & The Gaolers, Day has lit up the garage rock firmament for over 3 decades.
For the Medway mod-rocker's latest LP he's teamed up with two of his old musical cohorts to breathe new life into some of the best songs of his 30-year career. New band Graham Day & The Forefathers sees Graham re-unite with bassist Alan Crockford (also ex-Prisoners/Prime Movers/Solarflares) and drummer Wolf Howard (Prime Movers/Solar Flares/James Taylor Quartet/Buff Medways).
After a debut single earlier in the year (Love Me Lies on State Records), the band are now releasing Good Things, an album that's made up of newly recorded versions of Day's songs from his time in The Solarflares, The Prisoners and The Prime Movers. There's also room for a couple of tracks from Day's most recent band, Graham Day & The Gaolers.
Good Things is the first LP on the newly resurrected Own-Up Records and is everything you'd expect from a Medway garage record. A mix of '60s R&B, mod-rock swagger, and incendiary power trio bite. With the backing tracks recorded quickly and live in one session and vocals added later via computer, (the one concession to modern techniques), it has that eternal raw garage feel that never seems to lose its appeal.
There's a rare level of intuitive playing and understanding between the trio that can only have come by having shared countless gigs. By covering songs from your own back catalogue there's always a danger of treading water, but there's more attitude and sonic attack on this album than most bands half their age could muster. Make no mistake, this is no half-arsed re-hash.
It's an album that works well as a alternative greatest hits set, though if this is your first experience of the Graham Day sound it will certainly whet your appetite for a more detailed delve into his previous records. You could argue that by re-visiting their own songbook Day & The Forefathers are resting on their laurels, but when the results sound this good frankly who cares.